Articles, observations and insights on various cultural and technical aspects in the world of Architecture, Design, parametric and computational design and the role of the digital architect in the new technological era
March 6, 2024. Happy to have shared the vision behind the scenes of the Ambrosinus-Toolkit with the students of the Politecnico di Milano Adaptive Façade Studio… Read More »Guest lecture at PoliMi INDEXLAB – Adaptive Façade Studio course
On February 21st, 2024, I took part as an expert consultant together with other experts in the sector, to discuss the first instance of the… Read More »Computational Methods for Architecture and Design course proposal by TPBennet for LSA – Advisors Roundtable
On January 26, 2024, thanks to the invitation of Professor Patrick Kastner (Researcher in the field of performance building and co-developer of Eddy3d – Grasshopper… Read More »Guest lecture at Georgia Tech School of Architecture
In his seminal essay “The Work of Art in the Age of Mechanical Reproduction,” Walter Benjamin deeply explored how the techniques of mechanical reproduction made possible by photography and cinema in the early 20th century radically transformed the status, aura, and value of artworks. Today, in the era of artificial intelligence, we find ourselves facing a new revolutionary turning point in the reproducibility of art, with even more disruptive consequences.
Numerology experiment: Alkemyc Kaballah “What’s in a name?” Since the time of the Pythagoreans, it has been clear to conscious humanity, interested in the profound… Read More »Numerology experiment: Alkemyc Kaballah “What’s in a name?”
Contemporary architecture is experiencing a transition towards more flexible and adaptable forms, which overcome the rigidity of Modernism. A search is underway for design solutions which, while maintaining construction precision, can accommodate society’s changing needs. Thus new concepts of space were born, among which the poetic visions of the Superstudio group and the concept of “Soft Architecture” theorized by Nicholas Negroponte.
In his seminal essay “The Work of Art in the Age of Mechanical Reproduction,” Walter Benjamin deeply explored how the techniques of mechanical reproduction made possible by photography and cinema in the early 20th century radically transformed the status, aura, and value of artworks. Today, in the era of artificial intelligence, we find ourselves facing a new revolutionary turning point in the reproducibility of art, with even more disruptive consequences.
Per la versione 🇮🇹 clicca qui In today’s digital world, having a strong computational team is crucial for any organization that wants to thrive. Whether… Read More »How to build a Computational Dream Team: a small vademecum [Come costruire un team Computazionale da sogno: piccolo vademecum]
The third and final part of the series “The Dawn of the New Age: How the AI Revolution Mirrors the Middle Ages and Not an… Read More »The Dawn of a New Age: How the AI Revolution Mirrors the Middle Ages and Not an Industrial Revolution [part 3]
The second part of “The Dawn of the New Age: How the AI Revolution Mirrors the Middle Ages and Not an Industrial Revolution”, relates to… Read More »The Dawn of a New Age: How the AI Revolution Mirrors the Middle Ages and Not an Industrial Revolution [part 2]
A very weird introduction here to a more humanistic than canonical vision of the following observations. Many people compare the rise of artificial intelligence (AI)… Read More »The Dawn of a New Age: How the AI Revolution Mirrors the Middle Ages and Not an Industrial Revolution [part 1]
As our cities grow ever more crowded, architects and designers are exploring innovative new ways to create public spaces that serve multiple purposes. I’m always… Read More »Pop-up Design: Inflatable library as bus stop or as a neighbourhoods books-pavilion
Per la versione 🇮🇹 clicca qui As I write, in Italy, the Privacy Guarantor has frozen ChatGPT ordering to regulate the acquisition of data on… Read More »Algoethics and Algocracy: accessibility to Knowledge to be aware and not delegate an antronomist [part 2]
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